• Culture at Risk, Black Sea Lab: Conversations About Risk, Davis Center for Russian and Eurasian Studies, Harvard University, Cambridge, MA, 2024
  • Memories That I Never Wanted. The Narrations of Displacement and Exile, 56th ASEEES Annual Convention, Boston, 2024
  • Bodies in War: Women and Children in Cultural Representations of the Ukraine War, 56th ASEEES Annual Convention, online, 2024
  • Panel inaugurujący WEFE (War Effects on Systems and Environments), Freie Universität Berlin, 2024
  • Memories That I Never Wanted. The Narrations of Displacement and Exile, ASN Annual World Convention, Columbia University, Nowy Jork, 2024
  • Agnieszka Holland’s Green Border, Davis Center for Russian and Eurasian Studies, Harvard University, Cambridge, MA, 2024
  • Catastrophic Interference: Exploring memories through visual art, Davis Center for Russian and Eurasian Studies, Harvard University, Cambridge, MA, 2024
  • The landscape of loss. The imagery of lost territories in contemporary Ukrainian video art, Davis Center for Russian and Eurasian Studies, Harvard University, Cambridge, MA, 2024
  • Agnieszka Holland’s Green Border, Davis Center for Russian and Eurasian Studies, Harvard University, Cambridge, MA, 2024
  • The landscape of loss. The imagery of lost territories in contemporary Ukrainian video art, NeMLA’s 56th Annual Convention, Boston, 2024
  • The war bodies. The gendered analysis of the body at war in contemporary Ukrainian art, Queer and gender studies seminar, online, 2023
  • On People and Plants. The Refugee Experience in Contemporary Visual Art, 55th ASEEES (Association for Slavic, East European, and Eurasian Studies) Annual Convention, Filadelfia, 2023
  • The Body as a Tool for the Re-Examination of the Human Experience of War and Trauma in Ukrainian Contemporary Art, 27th Annual World Convention of the Association for the Study of Nationalities (ASN), Columbia University, Nowy Jork, 2023
  • Re-defining Memory. Commemorating the Jewish Past in Ukrainian Contemporary Visual Culture, roundtable (razem z Alexem Fisherem i Nikolayem Karabinovychem), Yale European Studies Graduate Fellows Conference, Yale University, New Haven, 2023
  • Mystetskyi Arsenal in Kyiv. A Stranger Among His Own, 20th Annual Graduate Students Conference Rethinking Identity in Changing Contexts, University of Pittsburgh, Center For Russian, East European and Eurasian Studies, 2023
  • How to Help Ukrainians, Department of Slavic Languages and Literatures, Harvard University, Cambridge, MA, 2022
  • Re-Discovering the Past and What Does it Mean, post presents: Art, Resistance, and New Narratives in Response to the War in Ukraine, Museum of Modern Art (MoMA), Nowy Jork, 2022
  • On Past and Present in Ukrainian Contemporary Art, Digital Lab. Art Critics and Researchers, Kijów, 2022.
  • Transformational Practices in Ukrainian art: the Case of Contemporary Art Centers in Kyiv, III Taras Shevchenko Ukrainian Studies Conference, Indiana University, Bloomington, 2022
  • Organizatorka panelu Transformational Practices in Ukrainian Art: from Soviet to Postcolonial, referat Space of Transformation: Four Models of Contemporary Art Centres in Kyiv, 53rd ASEEES (Association for Slavic, East European, and Eurasian Studies) Annual Convention, Nowy Orlean, 2021
  • Moderatorka panelu Solid and Liquid TV: Ukrainian Artists Respond to the Mass Media Enchantment, 53rd ASEEES (Association for Slavic, East European, and Eurasian Studies) Annual Convention, Nowy Orlean, 2021
  • Деколонізаційна історія українського мистецтва (Dekolonialna historia sztuki ukrainskiej), Contemporary Art Rivne, Równe, 2021
  • Space of Transformation: Four Models of Contemporary Art Centres in Kyiv, poster, VII International Forum for Doctoral Candidates in East European Art History, Humboldt-Universität zu Berlin, 2021
  • The Past Living in the Future: Ukrainian Politics of Memory in Visual Arts after the Maidan Revolution, The European Conference on Arts and Humanities, IAFOR, Brighton, 2019
  • Leninopad, the Last Fall of Lenin. On Demolition of Soviet Monuments in Ukraine, The Fourteenth International Conference on the Arts in Society: Arts and Communication, Polytechnic Institute, Lizbona, 2019
  • The Past Living in the Future: Ukrainian Politics of Memory in Visual Arts after the Maidan Revolution, International Conference Place of Memory and Memory of Place, University of Oxford, 2019
  • Od Majdanu do porewolucyjnego porządku. Wątki tożsamościowe w sztuce ulicy Kijowa, Ukraińskie światy dzieciństwa i młodości, Uniwersytet Warszawski, 2019
  • Wymazywanie. Polityka pamięci w twórczości ukraińskich artystów po roku 2014, Polityka a sztuka. Instytucje – twórcy – działania, Uniwersytet Zielonogórski, 2019
  • Leninopad, the Last Fall of Vladimir Lenin, International Conference on Slavonic and East European Studies: Traditions and Transformations, University College London, 2018
  • Estetyka rewolucyjna czy nowa forma nacjonalizmu? Sztuka ulicy w Kijowie 2013-2016, Sztuka rewolucyjna, Uniwersytet Śląski w Katowicach, 2018
  • Nadchodząca rewolucja: przeczucie czy proroctwo? Wybrane wątki w sztuce ukraińskiej 2000-2013, O Ukrainie interdyscyplinarnie, Uniwersytet Wrocławski, 2018
  • Leninopad. Ostatni upadek Lenina, międzynarodowa konferencja Kultura i Rewolta, Uniwersytet Warszawski, 2018
  • Sztuka ukraińska czasu wojny 2013-2017, Polski Instytut Studiów nad Sztuką Świata, Warszawa, 2018
  • Sztuka ukraińska czasu wojny, wykład towarzyszący wystawie artWORK, Galeria Dworcowa, Wrocław, 2017

Nauczanie:

  • Współczesne życie artystyczne, Wydział Sztuk Pięknych, Uniwersytet Mikołaja Kopernika w Toruniu, semestr wiosenny 2021-2022
  • Historia sztuki nowoczesnej, Wydział Sztuk Pięknych, Uniwersytet Mikołaja Kopernika w Toruniu, semestr wiosenny 2021-2022
  • Doktryny artystyczne, Wydział Sztuk Pięknych, Uniwersytet Mikołaja Kopernika w Toruniu, semestr zimowy 2021-2022
  • Warsztaty krytyki artystycznej – architektur i design, Wydział Sztuk Pięknych, Uniwersytet Mikołaja Kopernika w Toruniu, semestr wiosenny 2020

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